Did Fantasy Writers Draw Their Inspiration from East Asian Culture When They Created Elves?

It is intriguing to ponder whether fantasy writers have drawn some of their imaginative influence from East Asian culture, particularly when crafting the character of elves. While it may seem unusual, one might reasonably suspect that these enigmatic beings have roots deeper than commonly acknowledged, potentially extending even to the works of writers who are not generally known for their cultural fusion.

Elves in Norse and Germanic Mythology

It is important to clarify that elves have long been a part of Norse and Germanic mythology. Long before these cultures knew of the existence of any East Asian places, these legendary beings had already been incorporated into their pantheon. To this day, there are still Icelanders who believe in the alfar and/or huldufolk, while the Tylwyth Teg in Wales and the Aes Sidhe of Irish and Scottish folklore maintain a tangible presence, even if they are no longer as widely believed in.

East Asian Elements in Fantasy Writing

While one cannot deny the integration of East Asian elements in certain works of fantasy, it is crucial to recognize that these are not fundamental to the constructs of elves. Instead, they are often added layers that enrich and diversify the narratives. For instance, Stephen R. Lawhead's Taliesin and the rest of the The Pendragon Cycle present a unique yet not entirely novel take on the elven mythos.

Unusual yet Recognizable Influences in Fantasy Writing

Stephen R. Lawhead's approach to the elven lore is noteworthy as his Taliesin series incorporates an arc that begins in Atlantis, an ancient and advanced civilization. The remnants of this great city, having witnessed and endured its catastrophic fall, made their way to the British Isles, and more specifically, to what is now known as Wales.

The Atlanteans, being a more advanced society compared to the Welsh residents, are perceived as exceptionally beautiful. Over time, this perception crystallizes into a legend of immense beauty, a legacy that enhances the mystique of the elves. This theoretical connection adds a fascinating layer of historical and cultural depth, making these stories more engaging and thought-provoking.

Conclusion

The question of whether fantasy writers draw inspiration from East Asian culture when they create elves is indeed intriguing, but it is more accurate to say that such influences are often secondary or accessory to the core mythos. The presence of elves in Norse and Germanic cultures highlights the timeless appeal of these mythical beings, transcending cultural and geographical boundaries. The incorporation of East Asian elements, when done thoughtfully, serves to enrich the narrative without overshadowing the foundational aspects of the fantasy genre.