Understanding Sigfried Matthus' Responso: A Musical Homage to Stravinsky and Mendelssohn

While Sigfried Matthus' orchestral work Responso may at times evoke a striking resemblance to Stravinsky's iconic Rite of Spring, it is important to recognize that this is intentional and rooted in a collaborative artistic vision.

The Art of Collage in Music

Responso, much like aural collages in art, aims to blend and juxtapose different musical elements, creating a tapestry that celebrates the works of other renowned composers. In this context, the piece is not merely a direct homage but a complex homage—a response or re-echo that pays tribute to the historical significance of several influential composers, including Stravinsky and Mendelssohn.

This blending of elements from different composers is not unique to Matthus. In the realm of atonal and contemporary classical music, this technique has become a common practice. However, Matthus' Responso stands as a particularly cohesive and innovative example of this approach, integrating a wide range of harmonic and sonic references to create a rich, layered auditory experience.

Why Atonal Music Sounds Alike: An Unacademic Perspective

It is not uncommon for atonal music to sound remarkably similar, especially to the untrained ear. This perception stems from several factors, including the fundamental principles of atonal music. At its core, atonality emphasizes a lack of key and tonal center, leading to a more ambiguous and less cohesive sound. This ambiguity can sometimes create a sense of uniformity across different atonal compositions, making it easier to identify common threads between works.

Another factor contributing to the perceived similarity of atonal music is the frequent use of certain techniques, such as serialism, twelve-tone technique, and aleatoric music. These techniques, while individually distinct, can sometimes result in aurally similar outcomes when applied in different compositions. This is further exacerbated by the lack of a traditional harmonic structure, which can make each piece feel more like a re-arrangement of similar sound elements.

Exploring the Inspiration Behind Responso

Responso is a concert piece scored for full orchestra. The work seeks to explore the re-echo of historical musical styles and compositions, particularly the groundbreaking Rite of Spring by Stravinsky. Stravinsky's piece, celebrated for its innovative use of rhythm, instrumentation, and structure, serves as a significant point of reference for Matthus. The use of Stravinsky's work in Responso is not a direct copy but a re-imagining and interpretation, highlighting the composer's deep appreciation and understanding of Stravinsky's revolutionary techniques.

Matthus also draws inspiration from Mendelssohn's works, particularly for their lyrical qualities and elegant orchestration. This blend of influences creates a unique fusion that challenges the boundaries of traditional composition and pushes the boundaries of atonal and experimental music.

Conclusion: The Art of Composition in Responso

In conclusion, Sigfried Matthus' Responso is a sophisticated and multifaceted work that pays homage to the masters of orchestral music while also pushing the boundaries of atonal composition. The apparent similarity to Stravinsky's Rite of Spring is not an unintentional copycat but a deliberate artistic choice that showcases Matthus' deep understanding of and respect for his predecessors.

Through the technique of collage and the use of common atonal techniques, Responso creates a unique auditory experience that connects with the listener on a deeper level. As atonal music continues to evolve, works like Responso serve as a testament to the enduring impact of Stravinsky and other great composers, while also inspiring new generations of musicians and listeners alike.